![]() ![]() ![]() ![]() Fabfilter’s suite will appear under the latter click launch and you are away.Įach one looks stunning, I have to say. They take up most of the bottom half of the iPad screen – but are expandable to fill the screen should you wish – and vary in looks from those with ‘classic’ FabFilter dials to those with draggable pointers across the frequency range. Starting with Pro-C 2, this compressor features larger dials for Threshold, Ratio, Attack and Decay, and smaller ones for Gain and Dry. What’s really great about it – and indeed many of FabFilter’s plug-ins – is that a meter reveals a moving waveform ‘behind’ the compressor (which becomes semi-transparent) and changes as you make changes to the controls, as do the shapes of the gain peaks representing the notes. You can therefore instantly see what you are doing to the signal as it flows from right to left.Īside from the fact that you are controlling it by touch, Pro-C 2 appears to be close in operation and features to the desktop version, so you get eight different compression styles (Clean, Classic, Opto, Vocal, Mastering, Bus, Punch and Pumping) plus a sidechain section and EQ section, with HP and LP filters.
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